The Descent from the Cross is the central panel of a triptych painting by Peter Paul Rubens in 1612-1614. The painting is the second of Rubens's great altarpieces for the Cathedral of Our Lady, Antwerp. The subject was one Rubens returned to again and again in his career. This particular work was commissioned on September 7, 1611, by the Confraternity of the Arquebusiers, whose Patron Saint was St. Christopher. Although essentially Baroque, the oil on panel piece is rooted in the Venetian tradition, and likely influenced by the work of Federico Barocci and Cigoli, amongst others.  In its composition and use of light, the triptych recalls Caravaggio's Roman period.
      Sequentially, the triptych describes the Visitation, the Descent from the Cross, and the Presentation of Jesus at the Temple.
       Peter Paul Rubens (June 28, 1577 – May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.
      In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England.